Tag Archives: Nigerian

Nigeria at 55!

Today marks 55 years of when Nigeria broke free from colonial rule. We may not be there yet but we are on our way. Even Google cannot resist celebrating Africa’s most populous nation and has this to say:

Via Google —A country of enormous diversity where over 500 languages are spoken, Nigeria is home to Africa’s largest population and a dizzying array of ancient cultural traditions. Drawing inspiration from the Nigerian coat of arms, today’s Doodle features the mighty Niger and Benue rivers that wind across the country’s fertile plains before merging and flowing into the Atlantic. Symbolic of resoluteness and strength, an eagle cuts across a vast Nigerian sky at the center of today’s logo, which Doodler Robinson Wood has washed in the colors of the Nigerian flag.

Nigeria National Day 2015
@googleafrica, tweeted: “Here’s wishing Africa’s most populous nation a happy 55th Independence day. Keep soaring Nigeria!

 

Nigeria Independence Day 2014

Further celebrating the giant of Africa, Google Africa Team, changed the header photo on its Twitter handle to showcase Nigeria’s Africanness with six young women adorned in colourful Nigerian traditional headgear ‘gele.’

And here is my rendition of loyalty to my home country, Nigeria’s National Anthem as performed on Periscope

 

As a diasporan, I echo the words of Yetunde Shorters, the Afropolitan Chef:
“Happy Nigerian Independence. 55 years ago Nigeria got her liberation from the British Empire. I commend our journey, let’s remember that we still have a long way to go. Take pride in our culture as we evolve to a new generation. As a second generation Nigerian American, my perspective is influenced by nations, our collective history: including, Nigerian slaves brought to the world, their successes and challenges and my experience. This much I know, whether I like it or not, every time I step out of my personal space, I am clear that I represent a people and I hold that representation to high esteem. I look forward to doing my part to inspire and empower my people Nigerian and American. Let’s remember that freedom has to be taken. It is never given. Cheers”

Nigeria Independence Day 2013

Beautifully Dreaming, Positively Doing

Tosinger

Organically Singing the Album — Now Out here!

Artist Spotlight – Seyi Voice (@VoiceSeyi) New Music Release

Seyi Voice, a Nigerian Gospel Music Artist releases two new singles today titled ‘Champion’ and ‘He’s Able‘ in anticipation of his upcoming album ‘Sound Of Victory’. Produced by ‘Dr Groove’ and recorded at G-Zone Studios,  ‘Champion’ has an African highlife swing to it, a danceable rhythm with inspirational lyrics for everyone from all walks of life, to let them know that they can make it and to be assured that God is not a respecter of persons; “if you  believe that you are a champion (in Christ), you are on your journey to success”

Listen and download here

 

About Seyi Voice

Seyi Voice is a dynamic worshiper, music director, singer/songwriter and a music producer. All his life he has been all about good music. He owns God’s Zone recording studio. Presently, he runs an outreach program called “Unusual Worship” which comprises of a collective of powerful anointed song ministers . His upcoming album is titled Sound of Victory due to be released at a date yet to be announced. He travels nationwide to  minister in churches and events.

Seyi Voice says:

“Having gone through a lot and seen a lot, I discovered that pain is inevitable when birth is about to take place in one’s life. God’s people, I want you to know that in every situation, God shall always remain God”

Connect with him on Facebook

Follow him on Twitter at @voiceseyi

Beautifully Dreaming..Positively Doing

Tosinger

Afrodreamfest NYC 2015 Review by #VoiceOfAmerica (@VOANews) & #AIT (@AIT_Online) Journalist – Adanma Odefa (@AOdefa)

Afrodreamfest has come and gone but the glorious aftermath still linger in the hearts and souls of the attendees . Afrodreamfest, a touring concert to celebrate African Liberation Day ( #AfricaDay  May 25) and promote upcoming talented neo~afro fusion artists in the diaspora took place this year (May 22 at Meridian 23 and May 23 at Silvana Harlem)  in the vibrant city that never sleeps – New York City. It featured an eclectic line up of artists including myself (Afrosoul), Ayanbinrin – the female talking drummer (Afrofolk), Ogasilachi (AfroRnB), Eli Fola (AfroJazz), Laolu and The Afromysterics (Afrobeat), Aduke (Afrosoul) and bonus features Afro pop artistes – Ayo In Motion and Na!ra. To promote the event, you can also watch my Sahara radio interview with the Humble Prince here 

Below is a heartfelt review by International Journalist Adanma Odefa in the selfie below 🙂

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Adanma and Tosinger

 

Afrodreamfest Experience in New York City

When a friend of mine told me about the Afrodreamfest in New York City, my first reaction was, ‘I might as well have an adventure, I’ve got nothing else to do!’. So I packed up and went to New York City from Washington DC not really expecting much. Although I had been in New York previously, the city didn’t fail in keeping me on my toes. Finally, we made it to Chelsea where the concert was holding.

Ogasilachi
Laolu

My first thought was, ‘wow! What strong vocals! What powerful lyrics! What artistic sincerity!‘. This was the reaction the young lady Aduke evoked when she sang. Reeling from that, I sailed through several other performances including the beautiful ‘Naira’ who struck me as sleek, chic and distinct with her rap style. Naira effortlessly executed a marriage of American rap culture and African uniqueness.

Aduke
Na!ra

The icing on cake for me was Ayanbirin. She has such a presence on stage that depicts Africanism in a way that was almost tangible. I gawked in awe as she dominated every single person in the room. Her power was all the more enchanting with her backup drummer and sidekick. Day one ended with dancing and exhaustion. I went back to my lodgings wondering what day two would bring.

Ayanbinrin

By the end of day two, I was glad it was a two-day event. I had missed some of the performances from day one so I got the experience of fresh excitement. It was on this day that I got the opportunity of falling under the musical enchantress’s spell. Tosinger endeared me with her beautiful all African costume and her lively stage presence. Day two icing on the cake for me was AyoInMotion. I am not trustful of my capacity to put into words the powerful emotions this artist invoked in me. He reached deep into my soul and pulled out all things African within me and left me feeling sad for those who are unable to claim African roots.

Tosinger
Ayo in motion

Altogether, Afrodreamfest was precisely a dreamy artistic romance with Africa. I look forward to the next one with a barely contained feverish excitement.

Adanma Odefa
International Journalist,
Voice of America.

To see videos, do visit https://www.youtube.com/user/AfroDreamFest

For photos visit, click https://www.facebook.com/AfroDreamFest/photos_stream

Don’t forget to leave a comment and share your thoughts. Visit www.afrodreamfest.com, sign up on the email list to stay updated on future events.

Beautifully Dreaming Positively Doing

Tosinger

Lagbaja US Tour – Live in Atlanta with Special Guest Tosinger

Nigeria’s international musician, Bisade Ologunde popularly known as Lagbaja embarked on a month-long tour of the United States of America. The tour will see Lagbaja and his 8 piece Motherland band perform at 15 different cities. It ends on May 17, 2015 at Washington DC.

I will be opening for him in Atlanta on May 10 at the popular concert space – The Variety Playhouse. Click here for more info

Atlanta based, eclectic afrosoulful artist, Tosinger. opens for legendary afrobeat/afrojazz artist from Nigeria – Lagbaja on May 10 at 7pm at the Variety Playhouse, Atlanta

Windstorm Productions Proudly Presents

 LAGBAJA

LAgbaja_72

The first question that is often asked when Lágbájá is encountered is, “Why the mask?” Basically, Lágbájá’s mask is used as an icon of man’s facelessness.

Lágbájá is a Yoruba word that means somebody, nobody, anybody or everybody. It perfectly depicts the anonymity of the so called “common man”. The mask and the name symbolize the faceless, the voiceless in the society, particularly in Africa. Once you see Lágbájá’s mask you are reminded of your own facelessness. This symbolism is so powerful that Lágbájá’s mask has popularized the use of the mask concept by other artistes both in Nigeria and beyond.

Though the concept was developed long before that, his first album (entitled Lágbájá) was released to National acclaim in 1993. Over the years and more albums later, the music continues to fascinate with its unique focus on a core of African drums. His music is a product of various influences ranging from traditional Yoruba music to Jazz. Often the music is purely instrumental- an interplay between traditional Yoruba percussions, drums, chants, and western instruments, especially the saxophone. When there are lyrics, they are primarily sung in Yoruba, English or a blend of the two as is colloquially spoken in Yoruba cities. Many of his songs dwell on serious social issues, while others simply entertain. Some are dance inducing while others pass serious messages in humourous ways.

One thing that links all the songs together is his use of traditional African drums. Traditional Yoruba drums are the most prominent. Four families of these drums are employed in creating different grooves and moods. The dundun/gangan family is the most prominent and at times up to five drummers combine all the various components to create the polyrhythms. The bata ensemble is led by two musicians who alternate between soft high toned driving rhythms with their omele bata, and thunderous loud talk with their mum drum- iya ilu. The general percussionist leads the sakara ensemble. The fourth family, used as the backbone of the groove is the ogido, a derivative of the ancient gbedu. The ensemble of drummers constitute the larger part of the band. Vocalists and western instrumentalists make up the rest. Lágbájá’s groovy fusion has been refered to as afrojazz, afrobeat, higherlife and afropop until now that he himself has christened the music AFRICANO, alluding mostly to the central role of African drums and grooves in his music.

Experience Lágbájá! (video)

Sunday, MAy 10, 8pm, $25 advance / $30 day of show

Tickets available at the Variety Playhouse Box Office and all Ticketmaster Outlets.
Order by phone at 800-745-3000 or online here.

Beautifully Dreaming, Positively Doing…
Tosinger

Artist Spotlight: @KomiOlaf – ‘Art is Life’

Ontario, Canada based multi-talented artist of Nigerian heritage,  Komi Olafimihan’s  unique conceptual work is beyond the ordinary. His work speaks of very detailed stories as he incorporates his architectural knowledge, artistic flair and mental depth  to create masterpieces that are an expression of his ingenious mind, the astute creative that he is.

He says “Art is Life”…

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About Komi Olaf – Artist – Poet – Architect

Komi Olaf is a visual artist and poet currently living in Toronto. As a master’s graduate of Carleton University’s School of Architecture, his training as an architect directly influences his draftsmanship and manipulation of light and space. His work is based primarily in acrylic and explores the dialogue created through the juxtaposition of images concepts and identities.

His works have been featured in shows at the Royal Ontario Museum in Toronto and the National Arts Center in Ottawa. He has also received several awards pertaining to his works including the Empowerment and Success Award presented by the then Governor General of Canada Michaelle Jean in 2010 and the Student Award for excellence presented by the Canadian Architect Magazine in 2009.

Komi is a strong believer in the synonyms that exists between images, philosophies and concepts.

Artist Statement

My work is an extension of who I am. A direct representation of my character and experiences. While I was completing a Masters in Architecture, I developed a passion for both painting and poetry and I have been on a mission to fuse these three elements ever since.

Drawing from the various skills and techniques I have been acquiring over the years, I strive to create unique, inspirational and original work that captures the history of African people and the mind-set of the younger generation. As a Canadian immigrant and a Nigerian in Diaspora, I tend to focus my art on the juxtaposition of unrelated images to produce new meaning. My personal experiences such as the religious conflicts plaguing Nigeria have also had an impact on the work I create.

Ultimately, I would love my work to offer insight into the thoughts of the new generation of artists emerging out of the Diaspora. I want to tell a different story with my work, one that captures the complexities of my African and Canadian heritage as well as sparks the conversations that can inspire change and build a bridge of unity.

Some of his works that caught my eye 

From the Afro Collection

Afromobile – Komi Olaf
‘Speak it into existence’ – Komi Olaf
Touch Music Emcee E Art by Komi Olaf
Cross Section Of the AFROpuf – Komi Olaf
komiolaf-floating dreamer
Self Portrait – Komi Olaf

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The Queens
From the “Angels of Music” Collection – The Queens by Komi Olaf

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dayo

And I remember this one of ‘Kermit the Frog’ going viral on instagram, turned into several memes by internet users, such a great discovery to know  who the original artist is.

Igwe
Sesame Street collection. Igwe by Komi Olaf

Komi Olaf. Spoken Word – Love

For more info and to stay updated on Komi Olaf’s projects –

@SIJIMUSIC on @ESSENCEMAG’s New & Next

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New & Next: Meet Nigerian Soul Singer, Siji (3:15) The British-born singer describes his music as “Yoruba soul,” a fusion of all his musical influences and life experiences in England, Nigeria and New York. Watch him perform the title track from his latest EP, “Children of the Sun.”

I had previously spotlighted Siji when he released his single ‘Lagos Lullabye’  –  see here  and it’s a delight to see him get some mainstream press attention with the release of his latest single ‘Children of the sun’

Watch the video below of the Essence ‘New & Next’ interview and the unplugged performance with on the acoustic guitar.

Siji on Essence New & Next

Click the image below to access the EP.

Connect and get updates on his music at SIJIMUSIC.COM

Beautifully Dreaming..Positively Doing…

x

Tosinger

Adepero Oduye’s Inspiring Interview on @indigotongues

With a dazzler of a smile and a warm personality that radiates on screen and in her pictures and the fact that she is so talented, Adepero Oduye is an actress to be reckoned with. I’d followed her work and journey since I saw her extremely impressive acting in the Pariah movie.

Adepero was featured on Indigo Tongues Women in Media Segment, Series 1 Episode 5. Produced by Iyalode Productions, Indigo Tongues is an exciting new interview series with trailblazers of Africa and the diaspora.

Adepero Oduye, who recently played the riveting role of Eliza, along side Chiwetel Ejifor, Brad Pitt and Lupita Nyong’o in the Oscar winning film 12 Years a Slave met up with Indigo Tongues for an exhilarating interview.

About Adepero OduyeAdepero Oduye is a Nigerian American Actress. She is the one of seven children born to Nigerian parents. A graduate of Cornell University,  Adepero began appearing in short films such as Water and Fall, and in 2006 appeared in the independent drama Half Nelson. After several roles in off-Broadway production, in 2009, she debuted on Broadway in the musical Fela!. In 2011 she starred in the critically acclaimed independent film Pariah. She has received several awards, including a nomination for Independent Spirit Award for Best Female Lead. Oduye cast in the upcoming Steel Magnolias remake with the same title as Annelle Dupuy-Desoto, a role that had been originated by Daryl Hannah.In 2013, Oduye appeared in Ava DuVernay‘s short film The Door part of Miu Miu‘s ad campaign known as The Women’s Tales.She also starred alongside Chiwetel Ejiofor in the film 12 Years a Slave, directed by Steve McQueen. Culled – Wiki

Adepero Oduye is one of the outstanding breakthrough actresses of the last decade. Her career includes an outstanding body of work in Film, Stage and TV. Her stellar debut lead role as Alike in Pariah, earned her several awards and nominations including The African-American Film Critics Association Award for Best Breakthrough Performance and the NAACP Image Award for Best Actress in a Motion Picture (nominated). Her role in 12 Years a Slave earned her a nomination for the Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture. She made her Broadway debut in A Trip to Bountiful, a production that has won several theater awards including a Tony Award for Best Actress by Cicely Tyson. Adepero, the third of seven children is a graduate from Cornell University and lives in New York City. – Indigo Tongues

Mojisola Sonoiki of Iyalode Productions had this to say about the interview..

moji

“I was thinking of who the subject for my next interview would be and one day on the platform of the A train at Jay Street in Brooklyn, I saw Adepero walk right by me (one of the beauties of NYC living….bumped into Dr Oz my first week in the city.) I had seen Pariah and I knew she would be a perfect guest on the series. Once again “the planets aligned” as they have since I started producing this series and it happened. A young Nigerian friend of mine was attending the Ake Festival in Abeokuta, Nigeria and told me that Adepero would be attending. I asked her to make a connection on my behalf and before I knew it, I was speaking to Adepero via email and coordinating an Indigo Tongues interview.

One can only but admire this young lady. Her tenacity, grace, contagious smile and the stream of good vibrations just seemed to radiate effortlessly from her. She is had a depth to her that was refreshing and heartfelt at the same time. Adepero has been involved in projects that many actors/actresses would only dream of and still remains pleasant, humble and respectful. We talked about many things, she shared stories about working in an industry that still grapples with Women and in particular women that look like her.

A very down to earth and pleasant conversationalist, we sat down to some Nigeria food – Jollof rice (Cy’s super recipe) and Dodo (her favorite) got down to the nitty gritty and had so many moments of belly laughs.”

Enjoy, share and leave a comment. To watch other Indigo Tongues interview series, click here to subscribe to the YouTube channel

Interview Date: February 9th 2014
Location: Brooklyn, New York

Beautifully Dreaming… Positively Doing..

xoxo

Tosinger

#BringBackOurGirls Day 57- Two Videos, One Cause

#BringBackOurGirls Day 57

Out of Sight is not Out of Mind

Here’s presenting two recent works of media that seek to  bring attention to the facts and the reality of the abduction of the Chibok girls of Nigeria by Boko Haram. The first is a docu-short put together by David Adeogun of GlassVisuals for the Merry Hearts Foundation;  a 7 minute piece about “Girls, Education, Nigerian reform, and the urgency and necessity of bringing these girls back”. The second is a music video by Ayoola in collaboration with other Nigerian artistes.

Empowering Youths in Africa

 Founded by Bunmi Babajide,  Merry Hearts Foundation  is a non-profit organization committed and dedicated to encouraging and helping youths and children to reach their full potential through education.The Merry Hearts Scholarship Fund is an initiative of The Merry Hearts Foundation (MHF) Inc.

The Merry Hearts Scholarship Fund’s main objective is to provide financial assistance in the form of a scholarship to students in need, while promoting an environment of encouragement to let the students know and understand that they are of value not only to their family and school, but to their nation and the global arena.On a daily basis, due to lack of education, too many of our talented youths are being denied a chance to  achieve  their dreams.

#BringBackOurGirls Video by the Merry Hearts Foundation.

 

David Adeogun of Glass Visuals, a London based filmmaker whose work I have become familiar with over time compiled, produced, and edited the piece. He says:

“This issue is very serious… Every second, every sign, every yell, every action, is needed. Everyone working together is actually a sign of unity and focus. We want this piece to be global. We want it to go beyond us. We want this video to be played on a speaker in front of GoodLuck Jonathan’s mansion. We want it to roar on the computers & screens of every wifi handler in Lagos, Abuja, Victoria Island, the village- Every place, e.v.e.r.y.w.h.e.r.e.! We want Boko Haram and every organization that has limited Africa to be fed up and gutted by the cries of the people world wide. United we can send even more chills down the spines of every man and woman until something is done”

Ayoola, a Nigerian Artist who won MTN Project Fame West Africa (Season 5) also recently released a song collaboration (with other notable Nigerian Artistes) for the #BBOG cause

AYOOLA FT. SOUND SULTAN, VECTOR, MOEAZY, ZAINA, G_FRESH – FREEDOM (#BRINGBACKOURGIRLS)

 

Keeping hope alive…

Beautifully Dreaming… Positively Doing..

Tosinger

Man No Die… Music No Die ~ Gone But Not Forgotten

When it comes to music and general aura of the cultural creative, I am an old soul as evident in a huge section of my music taste. So it was with sparked interest and melancholy that I heard of the news of the death of Nigerian highlife, afrogroove, afrofunk  musical legend ‘Bola Johnson’ who ironically, his discography included a title tagged ‘Man no die’ . I got the news of his demise, as posted on the wall of a fellow afro old-school music connoisseur who is a music historian, DJ & owner of ‘Comb & Razor’, Uchenna Ikonne. The news was broken to him this morning, however Mr Bola Johnson passed on recently, April 6, 2014 to be precise. No further info on the circumstances of his death. May his soul rest in peace. His music legacy lives on.

From the vaults of Philips in Nigeria comes this collection of mysterious trumpeter and bandleader Bola Johnson. Unmissable 60s and early 70s recordings for all highlife and Afrobeat fans. A missing jewel from a golden age of Nigerian music – Vampisoul  Records

 Bola Johnson & His Easy Life Top Beat

About Bola Johnson – as culled from a VampiSoul Publication which now links to Munster Records.

Up till now, Bola Johnson only seems to figure in the margins of the high octane Lagos music scene of the late 60s and early 70s. He may have never had the focus, the career longevity or the catalogue of titans like Afrobeat’s Fela Kuti, juju’s King Sunny Ade or highlife’s Victor Olaiya, but his music took its own magnificent route through the popular music of the time. His joyful treasure of a voice embellished every style in his repertoire, from the sweetly melodic heights of highlife and palm wine to the soulful skanking of Afro-blues/funk and Afrobeat; his red hot trumpet scorches its way to your yearning soul; his tunes vibrate with infectious hooks and undulating rhythms; he seems equally at home composing across the stylistic range… Funk? Calypso? Highlife? You got it!

Bola Johnson was born in 1947 into a musical family. He attended Livingstone Academy in Lagos and, after that, the prestigious Eko Boys High School. In 1962 he dropped out of school to follow his musical destiny. His trumpet dreams were inflamed by his time playing with Nigerian trumpet-playing legend and highlife maestro Eddy Okonta, but he joined Eric Akeaze’s highlife band as a singer and maracas player in that same year, then resident at the Easy Life Hotel, in Mokola, Ibadan, which was the hub of the music scene in Nigeria in the 60s. When Eric Akeaze and his band left the Easy Life Hotel, Bola was asked to stay and set up the Easy Life Top Beats. They also toured the northern part of Nigeria. When Bola returned south, this time to Lagos later in 1968, he and his musicians were match fit and ready to make their funkiest tracks.

In 1964, while still only 17 years old, Bola had been signed to the Philips West African record label, and he recorded many of the rootsier tracks you can hear on this album as 7-inch singles. In 1968, in Lagos, he recorded the funkier material on his “Papa Rebecca Special” LP and later a rootsier album entitled “Ashewo Ajegunle Yakare”. Given how great he sounds, you’ve just got to ask exactly why more material wasn’t recorded. According to Bola, the A&R people at Philips in those days allowed sentiment for the past to override their judgment in promoting new artists, because they had highlife giants on their label such as Osita Osadebe, Rex Lawson, Victor Olaiya and Bobby Benson, and so it was hard for younger artists to get their attention, backing and consequent exposure.

Additionally, it was always difficult for him to own musical instruments, and bandleaders were the people who owned and supplied their musicians with musical hardware. Of course, you must factor in the civil war and the consequent decrease in popularity of highlife. Then the rise of juju, Afrobeat and the briefly fashionable Afro-rock. Classic and unique as Bola’s approach was, it didn’t seem to light the same kind of fuse for young Lagos. As his musical opportunities began to go off the boil, Bola went into broadcasting, firstly at Radio Nigeria Ibadan in 1970 and then he moved to the FRCN (Federal Radio Corporation of Nigeria) in 1973. Sometimes he played at the Cool Cat in Ebute Metta, Lagos.

Bola Johnson  1947 -2014

Listen to his “Lagos sisi” track

Boomkat product review of ‘Man No Die’ CD

The irrepressible Vampisoul label presents a wonderful overview of Nigerian legend, Bola Johnson. With all the attention afforded to Fela Kuti, Victor Olaiya and King Sunny Ade, Bola seems to have slipped by all but the most ardent collectors and Nigerian natives, that is until Kayode Samuel painstakingly researched and dug deep in the crates to collect these twenty two track, spread over two discs. As you’ll discover when dipping in, Bola was a charming personality who could adapt his charming vocals and trumpet playing to a range of styles, from Calypso to Funk, Highlife and Afrobeat. Disc 1 contains the Afrobeat spiced palm wine styles of ‘Asewo Ajegunle Yakare’, the frisky merengue-like rhythms of his house band Easy Life Top Beats on ‘Oro Aiye’, and the swinging highlife of ‘Iyawo Kokoro Mi Da’ with its charming soap opera intro. Disc 2 opens with the killer drums of ‘Mimo Mimo Loluwo’ (sample hunters beware), before firing up the deadly James Brown-debted Yoruba Funk of ‘Ezuku Bozo’ and ‘Lagos Sisi’, plus the infectious blues licks and conga shake of ‘Lagos Special’, and heartwarming rootsy Highlife in ‘Edumare Soro’. Once word gets out about this album, there’s gonna be a stampede from the Afrobeat lovers!

Bola Johnson - Man No Die image

Whatever happens to music royalties of legendary Afro musicians? What is the structure in place for African musicians to get what they rightfully and legally deserve when they are long retired or gone? or after foreign music tastemakers see the treasure in their work and take over representation/distribution, do they get what they rightfully deserve? This will be a great “look into” for future and I’ll be checking with my friend, Uchenna Ikonne, on his thoughts on that soon.

Talking about mysterious legends, this video documentary about William Onyeabor,the man and his music, intrigued me so much,  to say the least. It is interesting how the relevance of ‘old music’ is now catching and riding on the waves of the ‘modern age’. Watch this.

Keeping the legacy of afro music alive, and promoting and supporting talented indie afro~artists today, who make contemporary afrofusion music on the continent and in the diaspora, is a passion/project of mine tagged ‘Afrodreamfest’. Check on it and be in the know and kindly spread the word. Thank you!

Beautifully Dreaming, Positively doing..

xoxo

Tosinger

ARTIST SPOTLIGHT : TOSIN

Music washes away from the soul the dust of everyday life.  ~Berthold Auerbach

Hello Peeps,

Hope everyone is doing alright. There’s always music to make you feel a little better. Right?  The spotlight is on a very good, personal, musical friend of mine, coincidentally a namesake, TOSIN (Tosin is a Nigerian (Yoruba) unisex name, short form of Oluwatosin which means ‘God is enough to be worshiped or God is worthy to be worshiped). Tosin is a songwriter, vocalist, drummer extraordinaire, composer and arranger. He is one of ‘us’ carrying the torch of African music in the US diaspora. He is  a renowned drummer & percussionist (oh I said that already :)) former – Ayetoro band member who has played with who’s who in the industry including Spyro Gyra, Femi Kuti, Andres Levin, Jon Carroll, Antibalas, Julie Dexter among others. More on his site. I absolutely love his sound and vibe, afro feel with a touch of contemporary lacings, and his use of the Yoruba language, just like my music. Keep scrolling. 🙂

Tosinger (Left) Tosin (Right) at AfroDreamfest

I will let this video of his interview with Heather Maxwell do the talking. Enjoy.

Music Time in Africa presents TOSIN with Host Heather Maxwell

Click on Tosin’s image below to learn more about his music, connect with him and get his latest project ‘Life Begins’

Beautifully Dreaming, Positively Doing..

xoxo

Tosinger