“I just want to go to Ocean Drive, where the sun shines on everything I do……….”
Music that takes you down memory lane and gives you the best of good feelings. I present to some and introduce to others (depending on your age / music taste 🙂 ) , Tunde Baiyewu, the unique voice of the ‘Lighthouse Family’ group who has now gone solo. He still remains, undoubtedly, a music crush of mine and I am so happy to know he is still very active musically.
Right now, my situation is – I can’t get enough of ‘Ocean Drive’, calming .. dreamy…. hopeful …Yes!
Don’t know why you’re so blue
Sun’s gonna shine on everything you do
And the sky is so blue
Sun’s gonna shine on everything you do”
Let’s talk about Art that evokes feelings, out of this world concepts that speak volumes of inexplicable depth. That’s Yinka Shonibare MBE ‘s work for ya . I came across his interesting and intriguing work online a few years back and can’t wait to have the opportunity to behold in person the magnificence of his artistry. Although it comes across initially as weird and of shock value, the more you look, the more you’ll see. I love the way he incorporates African elements (fabric/prints) into his installations and general work. Underlying messages of political flavors, “exploration of colonialism and post-colonialism within the contemporary context of globalization” are strangely expressed in his works which range from Sculpture, Photography, Installation, Painting, Works on Paper, Film, Public Art . A lot of them to feed your eyes on.
A little insight into Yinka Shonibare, the Artist
Yinka Shonibare MBE (RA) was born in London and moved to Lagos, Nigeria at the age of three. He returned to London to study Fine Art first at Byam Shaw College of Art (now Central Saint Martins College of Art and Design) and then at Goldsmiths College, where he received his MFA, graduating as part of the ‘Young British Artists’ generation. He currently lives and works in the East End of London.
Over the past decade, Shonibare has become well known for his exploration of colonialism and post-colonialism within the contemporary context of globalisation. Shonibare’s work explores these issues, alongside those of race and class, through the media of painting, sculpture, photography and, more recently, film and performance. Using this wide range of media, Shonibare examines in particular the construction of identity and tangled interrelationship between Africa and Europe and their respective economic and political histories. Mixing Western art history and literature, he asks what constitutes our collective contemporary identity today. Having described himself as a ‘post-colonial’ hybrid, Shonibare questions the meaning of cultural and national definitions.
Shonibare was a Turner prize nominee in 2004 and awarded the decoration of Member of the “Most Excellent Order of the British Empire”. He has added this title to his professional name. In 2013 he was elected Royal Academician by the Royal Academy of Arts. He was notably commissioned by Okwui Enwezor At Documenta 10 in 2002 to create his most recognised work ‘Gallantry and Criminal Conversation’ that launched him on an international stage. He has exhibited at the Venice Biennial and internationally at leading museums worldwide. In September 2008, his major mid-career survey commenced at the MCA Sydney and toured to the Brooklyn Museum, New York in June 2009 and the Museum of African Art at the Smithsonian Institution, Washington DC in October 2009 . In 2010, ‘Nelson’s Ship in a Bottle’ became his first public art commission on the Fourth Plinth in Trafalgar Square.